From Theresa May's anti-immigration vans in 2013, to Donald Trump's statement on the four congresswomen of colour, and to the millions of examples of verbal abuse on the streets, "Go Home" has been a phrase used continuously throughout history by racists and xenophobes to tell other people they are not welcome. Despite this phrase, especially when used by politicians, having significant consequences for people of colour as it encourages and perpetuates racism, the phrase "Go Home" is the epitome of a Western cultural tradition of Otherizing people of colour. Without acknowledging the links between the statement of "Go Home" and examples of Otherization, such as
The Black and White Minstrel Show, and also the lack of representation in the fashion and beauty industry, we cannot truly create a world without racism and the Otherization of people of colour. In focussing on British culture and society, I will show how despite widespread outrage towards Trump's recent comments against Ayanna Pressley, Ilhan Omar, Alexandria Ocascio-Cortez and Rashida Tlaib, British culture and society similarly Otherizes people of colour on a day-to-day basis.
Firstly, I will describe what I mean by Otherization, which is, put plainly, things people or a society does to make a group of people with certain characteristics feel unwelcome. Otherization is somewhat similar to people with braces being made fun of in schools, but with a much more violent racist history. Otherization in practice is highly linked and related to the concept of race. Despite scientists having discovered no biological grounding to the concept of race, the belief that people who look a certain way have certain traits and characteristics is still widely held in Britain and across the world today. In the Western world, Otherization comes out of people believing that being white is the norm, and that anyone non-White is therefore different. I should note here that I am using the phrases "white" and "non-white" to easily differentiate between the ruling group in British and Western societies, and the people who are being Otherized. However, the grounds of Otherization are not necessarily as clear as White and Non-White as Jewish, Muslim people, and people who identify as LGBT+ can also be affected by Otherization. Nevertheless, in this article, I will be pointing out the examples in Western (mainly British) society and culture that Otherize people based on the grounds of "race" and skin colour, which can be seen as the context of Trump's "Go Home" sentiment.
Throughout British society and culture, there is perpetual and continual Otherization of non-white non-Christian peoples. This can be seen most clearly in shows such as
The Black and White Minstrel Show, which clearly humiliated and mocked black people. However, there is a more subtle Otherization of certain groups in society in news reports, cartoons, music and even the range of foundation shades supplied in drugstores. The Otherization of people of colour and non-Anglican peoples is clear throughout British culture and society, and the phrase "Go Home" is the epitome of this wider trend. These more covert forms of discrimination and Otherization have a symbiotic relationship with more overt forms of racial or religious discrimination, and inform people living in Britain's understanding of who is British and therefore influencing everything from immigration controls to forms of verbal and physical racist abuse, and the development of groups like Britain First, with a clear idea of who makes up "Britain". Without overturning the Otherization of certain groups of people in British culture and society, and increasing multi-racial and multi-religious representation in British cultural forms and the media, we are aligning ourselves with the "Go Home" sentiment.
My first, somewhat historical example of Otherization is in the now notorious, but popular-of-the-time show
The Black and White Minstrel Show. In having white characters put on blackface makeup, the show clearly humiliated and mocked people of colour and developed out of a
history of minstrelsy from white American culture that developed in the post-emancipation period, mocking formerly enslaved people of colour. In doing so, the show Otherized the people they were mimicking, and this led to feelings of anger amongst people of colour because the show had a clear message: that people of colour were unwelcome and inherently different to white British society. Though the show no longer plays on British TV, the YouTube comments on clips from the show are filled with support for the discontinued "comedy", and in a
documentary made by the BBC reflecting on the show, many people involved in the show did not seem that sorry or disgusted by what went on in the show.
However, Otherization does not have to be as explicit as this. If we look at examples from contemporary children's entertainment in Britain, white is seen to be the norm, and non-British people of colour are seen to be different. Take the films of Paddington the bear. Despite me loving the films and knowing they were made really well and are extremely entertaining, films like
Paddington have some issues. Paddington does not represent bears in Britain and their plight living in the London Zoo, he represents migrants from the Commonwealth. In using this animalistic representation, the films perpetuate an idea that people with heritage in the Commonwealth, or rather outside of the West, are inherently different, despite Paddington being a charming, kind and caring character. In the first film, there is a
scene where Paddington tries to teach Henry Brown, the father of the family who take in Paddington, his name, in bear language. The father responds by trying to sound Paddington's name, and failing to do so, mimicking British inability to learn the pronunciation of non-British sounding names, clearly parodying the tales of migrants from the Commonwealth, but through the representation of a bear. Though
Paddington on the face of it, is a film and book series about a cute Peruvian bear bumbling about London loving marmalade, there are elements of the character which Otherize people with heritage in the Commonwealth, as at the base of the story, a bear is representing Commonwealth migrants. Similar tales run throughout children's shows and films, like
Zootopia, which tells the tale of a predators and prey making it work in the city together. Though the film never makes any link between who is the predator and who is the prey, the film still plays on racial ideas, by showing inherent cultural or biological differences between people in mirroring contemporary society through a city made up of different species of animals with varying skills. Though the message at the end is lovely (that we can all get along despite stereotypes and perceptions of difference), the way in which the film describes this is somewhat problematic, and plays on the idea of race, which, as I said already, has no biological grounding.
If we expand from children's entertainment to the wider category of animation and cartoons, the extent to which people developing entertainment in the Western world view whiteness as the norm. If you asked 100 people on the street to name a black, brown or Jewish cartoon character, they would probably name Apu and Dr. Hibbert from
The Simpsons and maybe Cleveland from F
amily Guy/The Cleveland Show. Though there are cartoons such as
The Boondocks and
Fillmore that have black representation, these are not the norm in the animation genre. If we take a look at
The Simpsons, one of my all time favourite shows, it clearly Otherizes people who aren't white. Despite most of the characters having a non-human yellow skin tone, a decision was made to draw others with human skin colours, mainly black and brown, with occasionally some extra-pale characters drawn in a white shade to show their nerdiness. If the Simpsons and the other yellow characters were drawn in the shade of white skin, this would not be an issue. There would be mainly white characters, with representation for people of colour. However, once you make the norm of skin colour in this fantasy world yellow, and then paint other characters in human skin colours of darker shades, the show clearly presents difference between the "norm" of yellow-ness and the difference of other characters.
The Simspons could have clearly altered this, and had an all-yellow show, or a show with some purple or blue characters. But in assigning some characters a fantasy skin colour and others a real-life darker skin colour, the show highlights difference. In addition to this, the shows' representation of people of colour, with characters played on racial stereotypes, the show presents a clear message of Otherization. Yellow (white) is the norm, and then there's the
others mainly played by white actors (Apu by Hanz Sharia and Dr. Hibbert by Harry Shearer), playing upon stereotypes of people from non-white backgrounds. Though a hilarious show and a focal point of my childhood,
The Simpsons clearly Otherizes certain groups in society, and sends a subliminal message that white is the norm, and people outside of this are different.
This is not an issue constrained in children's entertainment and animation. In rom-coms and other blockbuster films, dark-skinned women are rarely chosen to play main roles, and almost never cast as a romantic interest. Furthermore, the lack of response by the make-up industry to include larger shade ranges to cater for non-white skin colours demonstrates the extent to which cultural Otherization plagues Western society. Though this particular issue is getting better (shoutout to Fenty) accessible, drug-store brands have failed to take an opportunity to expand their shade ranges. Though there are improvements continually happening, the response to some changes shows how far we still need to go. The recent casting of Lashana Lynch as the new 007 has created backlash from white male supporters of the James Bond film series, and Halle Bailey has faced a similar backlash after her casting in the live action remake of Disney's
Ariel. Though Ian Fleming's novels are chock-a-block with sexism and racism, and therefore I believe it would be better to create a new, even better black female spy rather than replace the misogynistic capitalist figure of Bond with a black woman, the backlash over Ariel, especially amongst white mothers, shows the fragility white people have when their system of cultural Otherization is contested. People can accept some films like
Black Panther and
The Princess and the Frog, as they are, to some extent, part of a black sub-culture in entertainment, and people can accept
Aladdin, which plays on Orientalising concepts of Asia. However, when a black female is cast in a role in a Hollywood film aimed at all young audiences and ethnicities, it contests the Otherization that has been built up in the entertainment industry for decades. For today's children, who will watch Halle Bailey as Ariel, they will not be informed with the same Otherizing values as their parents generations were, thus radically changing cultural values and hopefully transforming society from a xenophobic society towards an accepting, anti-racist society. It is this opportunity for a socio-cultural transformation of values, as well as people's own racism, that caused such a backlash against Halle Bailey.
The Western Otherization of certain people through the means of culture has caused the acceptance of different xenophobic values within politics. From Enoch Powell's
Rivers of Blood speech in 1968, to Boris Johnson calling black people "picaninnies", there is a clear thread of racism and Otherization throughout British mainstream politics that was made acceptable by British culture. In making Western TV and film more representative, we are challenging the xenophobic world we live in, and allowing children to grow up being informed by accepting values, rather than Otherizing ones. Despite widespread outrage towards Trump's calls for congresswomen to "go back to where they came from", most people do not see an issue with white-washed media and entertainment industries. Only in changing the representation in films, TV, the news and advertisement industries will we wholly cancel out the Otherization of people of colour in Western society, and prevent the "Go Home" sentiment from continuing through to another generation.